Ext4 is faster, but I love BTRFS not just because of CoW, but subvolumes as well. You could probably get something similar going with LVFS, but I prefer that to be baked in, hence why I'm waiting for bcachefs, because it'll up the ante with tighter integration, so that might translate to better performance.
Notice my use of the word might. BTRFS performance is not so great.
I'm going to switch from BTRFS at some point, but at this point that's going to be a few years down the line.
Well of course it's a timeline, it's the timeline of hell.
When it comes to hip-hop? There was an enlightenment period where my heart still lies, before the stigma of being a "conscious rapper", "underground" - or even "backpacker".
I call this record industry psy-ops, because the music media tried to use it against anyone that didn't fit the bill. How do I know that?
Philistines, troglodytes, absolute cretins, scum of the earth. Dear god I hate the record industry.
Incidentally, if you want to go back into the past, I can recommend Quannum Records, the indie label of Blackalicious, Lifesavas, Latyrix and Lyrics Born.
Other than that, Def Jux, Rhymesayers (the mixtapes, get the friggin mixtapes), Stones Throw - ofc. Back when you needed an indie label.
Today we can happily say that bedroom productions will be the saving grace, mostly because it is seperate from the industry, so we do get a lot of great music.
But it also proves the industry is a homogeneous bottleneck.
The sad thing? Country used to be rebellious... I mean actually rebellious, none of this Trojan horse nationalism and fascism disguised as "traditionalism".
We're talking Johnny Paycheck, Willie Nelson, Waylon Jennings, and the queen her self, Dolly Parton.
But, as of late, I've said this:
Shout outs to the women of country, for bringing back the tradition - of writing songs about shooting your spouse in the face.
Keep the dream alive.
...I can't. You can find them on various features, with among others De La Soul, but the point is they left. You'd have to amass the amount of hip-hop music that I have and draw a timeline where you can see them being phased out.
It's around the time LL Cool J turned into a sex symbol and when De La had to "add some badass to perlong their life over the drum."
One of these days I want to do the whole research route, but just so I can juxtapose it to country - which also suffered the same fate, only a half a century earlier.
Capitalism is a slow crawl to mediocrity and exploitation. No culture can really survive it.
As a strong black woman, I'm kind of pissed that we lost all those talented female lyricists and R&B singers who got Thanos snapped out of existence in the late 90s because they didn't want to sell sex. It makes me want to slap a bitch for calling it "empowerment"...
At least my inner black woman is angry af because of that.
The music industry is garbage, pure garbage. Sony and Universal execs have a special place in hell.
I think the world has learned from this, since we're abstracting and decoupling much more than before, as well as developing new and modernising old tooling all the time to lower that barrier to entry.
Shout outs to the game Devs who had to deal with this shit for 3 years straight, as their keyboards were probably salty from all the crying, their rubber ducky all crumpled and deflated.
Audacity is now basically part of the Muse family, which is a for profit venture, with it's own - wait for it 🥁🥁🥁🥁 store front launcher
Nothing makes me hate music software (or games) more than yee old SaaS/DRM pile-on, especially when you add another goddamn launcher. I'm trying to lay low latency buffers here, not facilitate another UI stack and background processes. I nuke the printer spool, and you think I want more? I will download the cracked version, even if I own the damned software, to get rid of all that.
Jokes aside, considering the whole funding issue in the open source world, MuseHub (the "plugin boutique") takes a fairly common route in the audio software world, since pretty much every single one of these DAW, plugin or sample pack outfits have a storefront - or use one, if not several.
If say the Audacity we know is still free, but the add-ons cost money, that's fine. It's very "freemium", but as long as they don't remove VST3 or CLAP support, it's fairly harmless.
In regards to tracking, is it opt-out, opt-in, identifiable or anonymized telemetry? It's contentious, to say the least, but if it's a concern, you could always block domains - even though the average user would probably not concern themselves, and at that point I wonder if it's better than other creepy freemium models that are even more predatory.
Though it could be the type of telemetry used in most modern DRMs to confirm ownership by using plenty of CPU cycles and network communication to validate identity.
Because DRMs is the worst technology segment invented in all of modern history, and it needs to die in a fire - I swear * TO GOD* you do not need to hit several friggin domain many times a day, once is enough - in fact, once is too much! You can take your iLok and shove it. I paid for this software, and if I put a Jolly Roger in it, it's because your DRM drains my soul.
I swear, this heckles my kekles sooo much.
Damn, these rpm-ostree distroes are taking off. I mean tbf, having a "cloud native" approach (a two buzzword combo) with system images is kind of great for testing, and it shows people can now actually carve out some systems in a relatively effective manner. Good show!
That is supposing it is rpm-ostree, because ostree can actually rebase to an entire different distribution. There's people getting arch working as an ostree install, and eventually, we'll have gone over to a new dawn, where you don't need to reinstall, just rebase.
Goddamn open source is awesome.
Friggin' GIMP 2 is sun setting. GIMP 3 with everything replaced in GEGL and non-distructive editing is the new standard. Who tf needs Photoshop?
I put peepee in the doodoofard.