this post was submitted on 07 Apr 2024
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There is currently a very funny, kind of sad dust-up over Helldivers 2, in which self-proclaimed “anti-woke” gamers have previously heralded it as a rare game where they believe “politics” does not play a factor. Their faith was been shaken by an Arrowhead community manager they believed they found to be (gasp) progressive who was then subsequently harassed, but their head-scratching reading of Helldivers 2 as a “non-political” game is worth examining.

The only thing that makes sense is that these players have the shallowest of surface-level readings of the game. You are a patriotic soldier serving Super Earth. You must kill bugs and evil robots trying to hurt your brothers-in-arms and innocent citizens. There are no storylines to insert progressive causes into, everyone wears helmets so no “forced diversity.” Therefore, no politics.

Of course, this is…wildly off the mark, as Helldivers 2 is about the most blatantly obvious satire of militaristic fascism since the film that inspired it, Starship Troopers.

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[–] HelixDab2@lemm.ee 6 points 7 months ago (7 children)

Couple points:

Verhoeven didn't even read the source material. Starship Troopers (the book), is only fascist if you assume that anyone that's pro-military is fascist. Heinlein was a very unlikely fascist, given that he was largely libertarian. The point of the book was that people needed to be directly, personally invested in a society for it to function; the bugs were a plot device that he used to flesh out his social concepts. It was closer to utopian than fascist.

Secondly, Lucas directly based Star Wars off Kurosawa Akira's "The Hidden Fortress". Ideas about the rebels and the empire might have been echoing US imperialism in Vietnam, but the overarching narrative structure owes a lot to Kurosawa. Ben Kenobi, Princess Leia, Darth Vader, C3PO and R2-D2 are very clearly present in the Kurosawa film. It's a fun movie, if not terribly deep or meaningful compared to Kurosawa's later films, and I would def. recommend it.

[–] Tar_alcaran@sh.itjust.works 0 points 7 months ago* (last edited 7 months ago) (1 children)

the bugs were a plot device that he used to flesh out his social concepts. It was closer to utopian than fascist.

The book opens on an active genocide which includes flamethrowering a hiding mother and child, before randomly nuking a city. And this is complimented and normal.

[–] HelixDab2@lemm.ee 3 points 7 months ago

We're also not given any circumstances behind this war. We can't draw any definitive conclusions about it.

Heinlein was a WWII veteran, and WWII was where the concept of 'total war' was pioneered. (And later demonstrated to be a pretty bad idea, but that's still not accepted by everyone.) We firebombed Tokyo and Dresden, knowing that it would cause massive civilian casualties, with only the barest military excuses; civilian casualties were the point, because we believed that it would break the will of the people of Germany and Japan to keep fighting. We can look back now and see that this was a dumb idea, esp. since Hitler was doing the same thing to England, and it was stiffening the resolve of the English. But unless you argue that the Allies were fundamentally fascist during WWII--which seems plainly false--then it's not reasonable to argue that the idea of total war was a fascist idea.

At a minimum, we know that it's a failed idea now.

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