Melody

I'm certainly concerned that now that this software has been covered in PopSci; that it will certainly suffer a needless onslaught of DMCA and other lawsuit-related shenanigans. >_>

In aggregate; 5 instances, less than 5 communities, and more than 69, nice, blocked users.

I don't mess around. I don't hesitate to block people who argue needlessly, make my experience less informational or less entertaining, troll, or disregard arguments made in foundational logic to push a point of view or 'win the argument'. Similarly my instance ignores downvotes and does not display them; as with most platforms which behave similarly to reddit; they simply do not work outside of your personal, local account, local instance, user-sorting context.

No; Piracy won't stop.

Analog loopholes still exist; and cannot be eliminated completely from the chain. Enterprising crackers will tinker and find weaknesses in systems. People will find bypasses, workarounds, and straight up just crack whole encryption schemes that were badly implemented.

Encryption was never intended to protect content. It was intended to protect people. In the short term; sure, DRM and encryption can protect profits. In the long term, it provably cannot and does not. Oftentimes it gets cracked or goes offline; and the costs associated with keeping authentication servers up for long enough to keep lawsuits off your back is provably large and difficult to scale. I would even assert that it costs more to run DRM than it saves anyone in 'missed profits'.

Frequently companies also argue that it saves profits by recapturing "lost sales"; but that's provably false. A consumer, deprived of any other viable choice, will in fact, just not buy the thing if they cannot buy it for what they deem as a fair price. It has also been proven; that if they can acquire the content freely; they will oftentimes become far more willing to buy whatever they acquired or even buy future titles. When a customer trusts; they may decide to purchase. But why should a customer trust a company that does not trust them?

To be clear; the Nintendo Switch tends to trade fluently in cryptographic certificates.

The MiG Switch has one of these certificates; one it's creators likely copied from a legitimate Nintendo Switch game title. All games have such certificates and they are uniquely serialized; much like a GUID or UUID would be. These certificates are signed by the Game Dev studio, and then Nintendo in a typical certificate signing chain scheme; Nintendo signs the Game Dev Studio cert, which signs the Title certificate, which signs the unique cart or digital copy cert.

This banning is usually achieved by banning either the lowest certificate in the chain or the one directly above it; or even the Dev Cert if it was compromised.

So the MiG Switch carts are likely hardware banned. Your Nintendo Switch probably advertises to Nintendo which cart(s) were inserted into it recently by sharing the fingerprints of the certificates. Then Nintendo can basically kill the certificate assigned to your Switch system and prevent you from connecting online; as your Switch uses it's own system cert to identify itself to Nintendo services.

In all cases this is un-evade-able when connecting to the internet; as Nintendo Switch system certs are burned into a PROM chip on the main board at manufacture. This chip is a WORM chip, which can only be written once and read many billions of times.

A critical part of the way they try and curb cheating in online play is checking the integrity of the runtime environment; which includes checking what titles were launched recently; and if that happens to include a certificate they've banned for being cloned by the MiG Switch; then you'll quickly be banned by their anti-cheating hammer.

Most important is those checks typically don't take place naturally; they only occur when you're connecting to the EShop, or connecting to NN to play multiplayer online. The devil therein unfortunately lies in the details; and if you've ever purchased a Digital Title that means your Switch is regularly connecting to the EShop to renew Digital License Tickets needed. They tend to expire every 72 hours and must be renewed by presenting an expired Ticket, a valid Ticket Granting Ticket (given to your Switch when you buy the title) and contacting "Mommy Nintendo" and asking "Mommy, May I?". Yeah. DRM sucks.

If all goes well; your Switch gets a shiny new set of tickets. Unfortunately Nintendo was paying attention to requests and will issue out regular waves of bans for systems detected cheating. You won't know when this will happen, and it won't prevent Nintendo from letting you play your games; you'll just suddenly find your Switch banned from online play after such ban waves.

This is Material You icons; and this is basically not something you can opt out of...that I know of. You may want to find a different Launcher that allows you to load icon packs or disable that Material You behavior. (If yours doesn't)

Pardon; but I do happen to be a lady; thank you.

Like a Hydra; You cut one head off; and two grow in it's place.

The homogenization of these icons has been a long source of consternation for me.

They're barely functional as icons; you can scroll right by them and miss them; which makes finding the apps in a list of apps a bit annoying sometimes. Removing each icon's unique color scheme and replacing it with the 'company 4 colors' was the stupidest fucking idea ever.

Even more infuriating is how they keep renaming the applications to unexpected things every so often; so they move around; and it's dreadfully annoying to remember if they prefixed the name of the app with a G or something else completely different, which renders strict alphabetical sorting a bit moot.

This is why I use SearXNG; locally hosted on a container. It collates and sorts out the crap from all the engines at once. I get a useful list of results normally. My personal instance is configured to shotgun several engines at once and uses Wolfram Alpha or Wikipedia for informational boxes over other engines; if those services present a result.

My experience:

• Infobox (if applicable), Source is reliable; usually Wolfram Alpha or Wikipedia. May not always be immediately relevant but it's usually a close enough match.
• Most relevant results (3 to 7 of them)
• Relevant results containing any terms (Many)
• Less relevant results (Usually on page 2 or 3 by this time)
• Nonsensical results; may be slightly relevant (Usually you're 7 to 10 pages deep by then)

Image

As someone who owns a similar set; I can estimate you're probably dealing with the upsampling issue due to an OS configuration issue. You should try listening to MP3s and FLACs at 44100hz sample rate for your comparison. Not 48000, not 96000.

In general I don't believe you can tell any difference between MP3 and FLAC if you listen to the audio at the intended sample rate.

Meaning that @44100hz with 8 bit samples; you can't tell.

Listening at higher sample rates with higher bits per sample; sure...there's lots of room for unwanted and even audible error. Audio interpolation algorithms are not miracles, not smart, and not even close to being finely psychoacoustically tuned to your ears in most cases.

If you say you can hear a difference...you are lying or you are cheating by playing back the MP3 over an audio pipeline with a higher sample rate and bits per sample. Anyone could hear the difference when cheating like that. Human hearing can span all the way up to 128Khz; but oftentimes most people can't notice a credible difference even at 96Khz.

But if you listen to a 44.1Khz signal via a 96Khz set of equipment; you'll pick out exactly when the audio output shifts between being 96Khz and 44.1Khz.

This is how you can tell when audio is a recording at a lower sample rate. Most hardware is capable of outputting 96Khz so long as you don't put older things in your audio chain (The pipeline from file to your ears, and yes this includes software and your operating system as well).

The problem usually arises when something is upsampled. Going from 44.1Khz to 96Khz is noticeable when you "Compress" the audio signal to boost apparent loudness. Most low-end equipment and unaware software will do this sort of operation automatically when upsampling your audio to make sure the process does not render your audio too quiet to hear. Your ears can hear frequencies being clipped or limited to a certain volume as well; which can also happen a lot to prevent certain issues. Because most people are unable to regulate this hidden software aspect of their playback chain; you can sometimes hear it.

Luckily if you spend some time with proper DSP software and/or hardware, you'll be able to unmuddle/unmix these mistakes in your chain. It does take time and patience; and you'll need a large blend of HQ audio (like FLACs or MQTTs) as well as your standard "downsampled" audio (like MP3s and other lossy tracks), and you'll be able to tweak things so that everything sounds good.

Software packages like Viper4Windows or Viper4Android are good starting points and are often easy to figure out how to use and offer a very wide and diverse range of controls you can use to adjust the audio to your needs and liking.

Because everyone's ears are different; there's also plenty of tools that claim to adjust for your individual ears...and those can be helpful as well in chasing your perfect flat audio response curve and equalizing things to your preferences.

The CEO is oftentimes a company policymaker; I think it would be foolish to ignore that fact.

I've been boycotting C-f-a for at least 15 years now; and I don't tell my friends or suggest that my family eat there either; except as an emergency uber last resort. The gas station (burritos/sushi/hot-dog-warmer) would be suggested first.

My current partner(s) know and respect my feelings for the company and they feel roughly the same anyways; and so we never eat there.