this post was submitted on 03 Apr 2024
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A judge in Washington state has blocked video evidence that’s been “AI-enhanced” from being submitted in a triple murder trial. And that’s a good thing, given the fact that too many people seem to think applying an AI filter can give them access to secret visual data.

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[–] TheBest@midwest.social 21 points 7 months ago* (last edited 7 months ago) (13 children)

This actually opens an interesting debate.

Every photo you take with your phone is post processed. Saturation can be boosted, light levels adjusted, noise removed, night mode, all without you being privy as to what's happening.

Typically people are okay with it because it makes for a better photo - but is it a true representation of the reality it tried to capture? Where is the line of the definition of an ai-enhanced photo/video?

We can currently make the judgement call that a phones camera is still a fair representation of the truth, but what about when the 4k AI-Powered Night Sight Camera does the same?

My post is more tangentially related to original article, but I'm still curious as what the common consensus is.

[–] ricecake@sh.itjust.works 4 points 7 months ago (3 children)

Computational photography in general gets tricky because it relies on your answer to the question "Is a photograph supposed to reflect reality, or should it reflect human perception?"

We like to think those are the same, but they're not. Your brain only has a loose interest in reality and is much more focused on utility. Deleting the irrelevant, making important things literally bigger, enhancing contrast and color to make details stand out more.
You "see" a reconstruction of reality continuously updated by your eyes, which work fundamentally differently than a camera.

Applying different expose settings to different parts of an image, or reconstructing a video scene based on optic data captured over the entire video doesn't capture what the sensor captured but it can come much closer to representing what the human holding the camera perceived.
Low light photography is a great illustration of this, because we see a person walk from light to dark and our brains will shamelessly remember what color their shirt was and that grass is green and update your perception, as well as using a much longer "exposure" time to capture more light data to maintain color perception in low light conditions, even though we might not have enough actual light to make those determinations without clues.

I think most people want a snapshot of what they perceived at the moment.
I like the trend of the camera capturing the image, and also storing the "plain" image. There's also capturing the raw image data, which is basically a dump of the cameras optic sensor data. It's basically what the automatic post processing is tweaking, and what human photographers use to correct light balance and stuff.

[–] Natanael@slrpnk.net 1 points 7 months ago

There's different types of computational photography, the ones which ensures to capture enough sensor data to then interpolate in a way which accurately simulates a different camera/lighting setup are in a way "more realistic" than the ones which heavily really on complex algorithms to do stuff like deblurring. My point is essentially that the calculations done has to be founded in physics rather than in just trying to produce something artistic.

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