this post was submitted on 15 Feb 2024
431 points (95.8% liked)

Technology

59534 readers
3195 users here now

This is a most excellent place for technology news and articles.


Our Rules


  1. Follow the lemmy.world rules.
  2. Only tech related content.
  3. Be excellent to each another!
  4. Mod approved content bots can post up to 10 articles per day.
  5. Threads asking for personal tech support may be deleted.
  6. Politics threads may be removed.
  7. No memes allowed as posts, OK to post as comments.
  8. Only approved bots from the list below, to ask if your bot can be added please contact us.
  9. Check for duplicates before posting, duplicates may be removed

Approved Bots


founded 1 year ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
[–] General_Effort@lemmy.world 3 points 9 months ago

It was exactly the same as with AI art. The same histrionics about the end of art and the dangers to society. It's really embarrassing how unoriginal all this is.

Charles Baudelaire, father of modern art criticism, in 1859:

As the photographic industry was the refuge of every would-be painter, every painter too ill-endowed or too lazy to complete his studies, this universal infatuation bore not only the mark of a blindness, an imbecility, but had also the air of a vengeance. I do not believe, or at least I do not wish to believe, in the absolute success of such a brutish conspiracy, in which, as in all others, one finds both fools and knaves; but I am convinced that the ill-applied developments of photography, like all other purely material developments of progress, have contrib­uted much to the impoverishment of the French artistic genius, which is already so scarce.


What it was the end of was talentless painters who were just copying what they saw. Painting stopped being for service and started being for art.

This attitude is not new, either. He addressed it thus:

I know very well that some people will retort, “The disease which you have just been diagnosing is a disease of imbeciles. What man worthy of the name of artist, and what true connoisseur, has ever confused art with industry?” I know it; and yet I will ask them in my turn if they believe in the contagion of good and evil, in the action of the mass on individuals, and in the involuntary, forced obedience of the individual to the mass.